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Michael Bussewitz-Quarm, Composer
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Michael Bussewitz-Quarm, Composer
Home
Store
About
Bio
Latest News
Calendar
Testimonials
Pronouns
Catalog
Exclusively Sold by MB Arts
The Unarmed Child
Where We Find Ourselves
Choral Projects
Full Choral Catalog
The Hope Series
'This is My Name' Series
Trans Voices Series
Socially Responsive Works
Commissions
Join a Commissioning Consortium
Commission Michael
Refugee Mass 2027
Dig Deeper
Panel Discussions
As Seen In
Choral Journal - January 2024
ACDA Midwest in Omaha
ACDA Eastern in Providence
Choral Journal - May 2024
Choral Journal - June/July 2024
Chorus America Conference 2024 - Atlanta
Project: Encore's Featured Composer Series
Join
Newsletter
Contact me
Performance Notification
Login Account
0
0
Contact
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Exclusively Sold by MB Arts
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Full Choral Catalog
The Hope Series
'This is My Name' Series
Trans Voices Series
Socially Responsive Works
Folder: Commissions
Back
Join a Commissioning Consortium
Commission Michael
Refugee Mass 2027
Folder: Dig Deeper
Back
Panel Discussions
Folder: As Seen In
Back
Choral Journal - January 2024
ACDA Midwest in Omaha
ACDA Eastern in Providence
Choral Journal - May 2024
Choral Journal - June/July 2024
Chorus America Conference 2024 - Atlanta
Project: Encore's Featured Composer Series
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Store So it was I
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So it was I

$2.95
This text is set in a landscape of conflict and beauty. Where the conflict lies – within the narrator’s being or as part of a landscape scarred by an actual current war, is left ambiguous, for, as Thomas Merton understood, all wars have their origin in individual human hearts. However, another keynote of this text is tenderness, towards the beauty of the damaged landscape, but also towards human lives damaged by our conflicts. The narrator meets a wounded young soldier, becoming his reluctant healer, welcoming him as stranger, just as we pilgrims are on a journey to bring ourselves back from exile into a home in our own selves.
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This text is set in a landscape of conflict and beauty. Where the conflict lies – within the narrator’s being or as part of a landscape scarred by an actual current war, is left ambiguous, for, as Thomas Merton understood, all wars have their origin in individual human hearts. However, another keynote of this text is tenderness, towards the beauty of the damaged landscape, but also towards human lives damaged by our conflicts. The narrator meets a wounded young soldier, becoming his reluctant healer, welcoming him as stranger, just as we pilgrims are on a journey to bring ourselves back from exile into a home in our own selves.
This text is set in a landscape of conflict and beauty. Where the conflict lies – within the narrator’s being or as part of a landscape scarred by an actual current war, is left ambiguous, for, as Thomas Merton understood, all wars have their origin in individual human hearts. However, another keynote of this text is tenderness, towards the beauty of the damaged landscape, but also towards human lives damaged by our conflicts. The narrator meets a wounded young soldier, becoming his reluctant healer, welcoming him as stranger, just as we pilgrims are on a journey to bring ourselves back from exile into a home in our own selves.

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Michael Bussewitz-Quarm, Composer

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