Where We Find Ourselves
A major work in five movements, this selection features a variety of pieces that reflect diversity, acceptance, and an appreciation for living in the present moment.
To Avielle, On Her Fifth, Sixth Birthday (The Unarmed Child)
From the large choral work, "The Unarmed Child." There's really no way to appropriately recognize your lost child's birthday, Jeremy said as he and Jennifer talked about what life has been like for their family since the mass shooting at Sandy Hook Elementary School took the lives of twenty children and six educators in 2012.
Requiem (The Unarmed Child)
Part hip hopera, part choral, this work challenges the audience to listen to the families of the victims of gun violence. This is an impassioned plea to take a stand against not only gun violence, but to take a stand for under-represented communities who experience a disproportionate level of violence resulting from a variety of factors playing out in contemporary society. Extracted from the larger work "The Unarmed Child" this stand-alone third movement is for tenor soloist with a mixture of sung and rapped lines and dramatic choir reinforcement.
Speak to Us of Clothes
With lyrics by Kahlil Gibran, this anthem-like piece about connecting with nature is very melodic and in keeping with being in tune with the world around us.
Scars (Where We Find Ourselves)
The fourth movement from Where We Find Ourselves. This selection's dark tone and fluid tempo embody the lyrics about the unexpected beauty of scars.
Would You Know Me By My Work? (Where We Find Ourselves)
This third movement from Where We Find Ourselves features inspirational lyrics about hard work in an anthem about what we are leaving for our children.
Hats (Where We Find Ourselves)
The first movement from Where We Find Ourselves, this selection features lyrics about knowing and judging people by the "hats" they wear and the power of seeing beyond those labels.
Still the Same Love
We have to find a way back to loving ourselves and loving each other. We are held by love, even when we do not realize it. An inspirational message from the team of composer Michael Bussewitz-Quarm and poet Euan Tait can be featured in any season. Each section builds upon the previous, building in sheer volume and fullness. “Yet it is ourselves, at the beginning of a healing. Still I love. Still I am loved.”
I’m Not Lost
Native American women are more likely to be abducted, assaulted, and murdered than any other population group, and the perpetrators are rarely charged or convicted. Through the MMIWG (Murdered and Missing Indigenous Women and Girls) movement, a light has been cast upon this form of genocide. “I’m Not Lost” includes Native words and phrases from across North America: Abenaki, Odawa/Ojibwe, Lakota, and Navajo/Diné. Each verse cries out for missing mothers, daughters, sisters, and Two Spirit (transgender) loved ones. The performance of “I’m Not Lost” is more than the singing of a song; it is an expression of longing and grief for those whose voices have been silenced.