Where We Find Ourselves
A major work in five movements, this selection features a variety of pieces that reflect diversity, acceptance, and an appreciation for living in the present moment.
Memento Vivere (Where We Find Ourselves)
The final movement from Where We Find Ourselves, this exuberant piece features lyrics about honoring the past while living in the present and celebrating each day. Let us sing to the mystery of life!
Hair (Where We Find Ourselves)
The second movement from Where We Find Ourselves, this piece is about the manipulation of hair and the conformity or nonconformity of following hair "rules." This selection is built on repetitive rhythms with some vocally percussive consonants that mimic the pushing and pulling of hair.
Scars (Where We Find Ourselves)
The fourth movement from Where We Find Ourselves. This selection's dark tone and fluid tempo embody the lyrics about the unexpected beauty of scars.
Would You Know Me By My Work? (Where We Find Ourselves)
This third movement from Where We Find Ourselves features inspirational lyrics about hard work in an anthem about what we are leaving for our children.
Hats (Where We Find Ourselves)
The first movement from Where We Find Ourselves, this selection features lyrics about knowing and judging people by the "hats" they wear and the power of seeing beyond those labels.
I am a Voice that Sings
From award-winning composer Michael Bussewitz-Quarm and acclaimed lyricist Ronald W. Cadmus comes an uplifting message of hope and friendship through times of darkness. Multiple musical settings provide a quick learn for choirs of all levels while allowing your singers opportunities for solos. “Together, we will find something of grace and peace. I am a voice that sings! Together we will sing!”
My Name is Lamiya: Don't Call Me "Refugee"
This composition was written to bring attention to one of the most significant and challenging issues in our world today, the global refugee crisis. Nine-year-old Lamiya Safarova lost her home and her village, and she began writing poems to express her feelings. The stirring text and repeated rhythmic elements persist throughout this work, along with body percussion that represents the journey of the refugee, forced away from their home, most often by foot.